Difference between revisions of "Archons (Ownage)"
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− | + | The Archons are remnants of the universe's original inhabitants. Whatever their original forms, they now exist as distillations of thoughts, emotions, and ideals, preserved by the [[demiurge]]. Their appearances vary, and all are unique entities, each embodying a specific concept. | |
− | == Anactoria | + | Although they lack the raw power of demon Gods, or even Overlords, they are able to seemingly violate and manipulate the fundamental laws of reality, making defending against or effectively assaulting them a difficult prospect at best. |
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+ | The Deception, the Terror, the Torment, the Absolution | ||
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+ | == Anactoria, the Longing == | ||
Thus quickly is bent the will of that woman<br> | Thus quickly is bent the will of that woman<br> | ||
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So mightest thou fail, My Anactoria,<br> | So mightest thou fail, My Anactoria,<br> | ||
If she were with you. | If she were with you. | ||
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+ | == Andromeda, the Requital == | ||
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+ | Andromeda has a fair requital. | ||
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+ | But to thee, Atthis, the thought of me is hateful; thou flittest to Andromeda. | ||
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+ | Andromeda, the Avenger? | ||
== Atthis == | == Atthis == | ||
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One,--then the old rage of rapture's fieriest rain | One,--then the old rage of rapture's fieriest rain | ||
Storms all the music-maddened night again. | Storms all the music-maddened night again. | ||
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== Cleis == | == Cleis == | ||
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Whose beauty is as the golden flowers. | Whose beauty is as the golden flowers. | ||
− | == | + | == Dica == |
− | + | Do thou, Dica, set garlands round thy lovely hair, twining shoots of dill together with soft hands: for those who have fair flowers may best stand first, even in the favour of Goddesses; who turn their face away from those who lack garlands. | |
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− | == Eranna == | + | == Eranna, the Contempt == |
One more scornful than thee, O Eranna, I have never found. | One more scornful than thee, O Eranna, I have never found. | ||
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Scornfuller than thee, Eranna, have I nowhere found. | Scornfuller than thee, Eranna, have I nowhere found. | ||
− | == | + | == Mnasidica, the Temptation == |
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+ | More shapely is Mnasidica, than gentle Gyrinno. | ||
− | + | Mnasidica is more shapely than the tender Gyrinno. | |
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− | == | + | == Pieria, the Quiescence == |
− | + | == Rhodope == | |
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+ | Here, fairest Rhodope, recline, | ||
+ | And 'mid thy bright locks intertwine, | ||
+ | With fingers soft as softest down, | ||
+ | The ever verdant parsley crown. | ||
+ | The Gods are pleased with flowers that bloom | ||
+ | And leaves that shed divine perfume, | ||
+ | But, if ungarlanded, despise | ||
+ | The richest offered sacrifice. | ||
− | + | http://en.wikipedia.org/wiki/Queen_Rhodope | |
− | + | == Rosalind == | |
− | + | The ancient poetess singeth, that Hesperus all things bringeth,<br> | |
+ | Smoothing the wearied mind: bring me my love, Rosalind.<br> | ||
+ | Thou comest morning or even; she cometh not morning or evening.<br> | ||
+ | False-eyed Hesper, unkind, where is my sweet Rosalind? <br> | ||
− | + | == Timas, the Remorse == | |
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− | + | Unfulfilled potential, hope, dreams, etc. | |
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− | + | -- | |
Here rests the dust of Timas who, unwed,<br> | Here rests the dust of Timas who, unwed,<br> | ||
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Their curls and to her tomb this tribute bore. | Their curls and to her tomb this tribute bore. | ||
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+ | == Stuff == | ||
− | Fr. 68, Pieria - also, | + | Fr. 68, Pieria - also, being forgotten |
Fr. 3 http://www.classicpersuasion.org/pw/sappho/sape03.htm Ananke | Fr. 3 http://www.classicpersuasion.org/pw/sappho/sape03.htm Ananke | ||
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Thou art more than I, | Thou art more than I, | ||
Though my voice die not till the whole world die. | Though my voice die not till the whole world die. | ||
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+ | == Old == | ||
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+ | === Gello === | ||
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+ | Fonder of maids than Gello.<br> | ||
+ | (( Quoted as a proverb by Zenobius, about 130 A.D.; said of those who die an untimely death, or of those whose indulgence brings ruin on their children. Gello was a maiden who died in youth, whose ghost, the Lesbians said, pursued children and carried them off.) | ||
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+ | === Gongyla === | ||
+ | |||
+ | Be kind to me<br> | ||
+ | Gongyla; I ask only<br> | ||
+ | that you wear the cream<br> | ||
+ | white dress when you come | ||
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+ | Abanthis, take your lyre and sing<br> | ||
+ | of Gongyla, while desire once again<br> | ||
+ | flutters around<br> | ||
+ | the beautiful girl: her dress<br> | ||
+ | excited you when you saw it, | ||
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+ | === Gorgo === | ||
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+ | Of Gorgo full weary. | ||
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+ | I am weary of all thy words and soft strange ways. | ||
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+ | (( Quoted by Choeroboscus, about the end of the sixth century A.D., to show that the Aeolic genitive ended in -ôs. Maximus Tyrius mentions this girl Gorgo along with Andromeda (cf. fr. 41) as beloved by Sappho. )) | ||
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+ | {{TSG}} |
Latest revision as of 02:23, 27 July 2007
The Archons are remnants of the universe's original inhabitants. Whatever their original forms, they now exist as distillations of thoughts, emotions, and ideals, preserved by the demiurge. Their appearances vary, and all are unique entities, each embodying a specific concept.
Although they lack the raw power of demon Gods, or even Overlords, they are able to seemingly violate and manipulate the fundamental laws of reality, making defending against or effectively assaulting them a difficult prospect at best.
The Deception, the Terror, the Torment, the Absolution
Anactoria, the Longing
Thus quickly is bent the will of that woman
To whom things near and dear seem to be nothing.
So mightest thou fail, My Anactoria,
If she were with you.
Andromeda, the Requital
Andromeda has a fair requital.
But to thee, Atthis, the thought of me is hateful; thou flittest to Andromeda.
Andromeda, the Avenger?
Atthis
But to thee, Atthis, the thought of me is hateful; thou fliest to Andromeda.
But to thee, Atthis, the thought of me is hateful; thou flittest to Andromeda.
I loved thee once, Atthis, long ago.
I loved thee,--hark, one tenderer note than all-- Atthis, of old time, once--one low long fall, Sighing--one long low lovely loveless call, Dying--one pause in song so flamelike fast-- Atthis, long since in old time overpast-- One soft first pause and last. One,--then the old rage of rapture's fieriest rain Storms all the music-maddened night again.
Cleis
I have a fair daughter with a form like a golden flower, Cleïs the beloved, above whom I [prize] nor all Lydia nor lovely [Lesbos] . . .
I have a child, a lovely one,
In beauty like the golden sun,
Or like sweet flowers of earliest bloom;
And Claïs is her name, for whom
I Lydia's treasures, were they mine,
Would glad resign.
A lovely little girl is ours,
Kleïs the beloved,
Kleïs is her name,
Whose beauty is as the golden flowers.
Dica
Do thou, Dica, set garlands round thy lovely hair, twining shoots of dill together with soft hands: for those who have fair flowers may best stand first, even in the favour of Goddesses; who turn their face away from those who lack garlands.
Eranna, the Contempt
One more scornful than thee, O Eranna, I have never found.
Scornfuller than thee, Eranna, have I nowhere found.
Mnasidica, the Temptation
More shapely is Mnasidica, than gentle Gyrinno.
Mnasidica is more shapely than the tender Gyrinno.
Pieria, the Quiescence
Rhodope
Here, fairest Rhodope, recline, And 'mid thy bright locks intertwine, With fingers soft as softest down, The ever verdant parsley crown. The Gods are pleased with flowers that bloom And leaves that shed divine perfume, But, if ungarlanded, despise The richest offered sacrifice.
http://en.wikipedia.org/wiki/Queen_Rhodope
Rosalind
The ancient poetess singeth, that Hesperus all things bringeth,
Smoothing the wearied mind: bring me my love, Rosalind.
Thou comest morning or even; she cometh not morning or evening.
False-eyed Hesper, unkind, where is my sweet Rosalind?
Timas, the Remorse
Unfulfilled potential, hope, dreams, etc.
--
Here rests the dust of Timas who, unwed,
Passed the dark portals of Persephone.
With sharpened metal, when her spirit fled,
Her mourning friends each shore her fair-tressed head.
This is the dust of Timas, whom, unwed,
Persephone locked in her darksome bed:
For her, the maids who were her fellows, shore
Their curls and to her tomb this tribute bore.
Stuff
Fr. 68, Pieria - also, being forgotten
Fr. 3 http://www.classicpersuasion.org/pw/sappho/sape03.htm Ananke
Fr. 32 Men I think will remember us even hereafter.
Thou art more than I, Though my voice die not till the whole world die.
Old
Gello
Fonder of maids than Gello.
(( Quoted as a proverb by Zenobius, about 130 A.D.; said of those who die an untimely death, or of those whose indulgence brings ruin on their children. Gello was a maiden who died in youth, whose ghost, the Lesbians said, pursued children and carried them off.)
Gongyla
Be kind to me
Gongyla; I ask only
that you wear the cream
white dress when you come
Abanthis, take your lyre and sing
of Gongyla, while desire once again
flutters around
the beautiful girl: her dress
excited you when you saw it,
Gorgo
Of Gorgo full weary.
I am weary of all thy words and soft strange ways.
(( Quoted by Choeroboscus, about the end of the sixth century A.D., to show that the Aeolic genitive ended in -ôs. Maximus Tyrius mentions this girl Gorgo along with Andromeda (cf. fr. 41) as beloved by Sappho. ))
Ownage • To Slay God |
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